Dreyer encloses this stark, infinitely expressive face with other characters and sets that are equally devoid of decoration and equally direct in conveying both material and metaphysical essences. Terrific performances, and equally terrific camerawork from Nicolas Hayer more gris than noir conjure a rivetingly treacherous, twilit world. Director: Marc Caro and Jean-Pierre Jeunet, The near future: taking a job and a bedsit at a shabby rooming-house above a butcher's shop, ex-clown Louison (Pinon) falls for the butcher's daughter. 1940s Children Of Paradise/Les Enfants Du Paradis (1945) Lyrical realism touched exalted pinnacles with Children of Paradise, Director: A flirtatious wife runs off to meet an older man and the husband closes in with intend to murder him, but finds the deed already done. Arguably the quintessential subtitled film for people who dont like subtitled films (itd be a dust-up between this and Cinema Paradiso), Jean-Pierre Jeunets rose-tinted Parisian romance is likely to be the role for which actress Audrey Tautou will be remembered until her dying day. This includes no less than 46% of all directors who had filmed 2 or more films between 1936 and 1940.. These were melodramas from renowned directors such as Gances The Blind Venus (1940), Jean Gremillons The Sky is Yours(1943), and Pagnols The Well-diggers Daughter (1942). Seven best French films by year (1930-1939) Refine See titles to watch instantly, titles you haven't rated, etc 70 titles 1. In other words, for most mainstream audiences, French is a code for pretentious. But the truth is, few countries can claim to have exerted as strong and consistent an influence over global moviemaking as France. By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. TM, Castella (Bacri) is an industrialist, married, who in his own world, is king. After an accidental encounter with femme fatale Lulu (Marze), he falls madly in love, setting her up in a flat which he fills with his paintings. Hes lived in Canada and Chile, enjoyed a few girlfriends, but now hes single, serious and more committed to his religion and future. The instigator is mother and grandmother Junon (Catherine Deneuve), whos. Get 10% extra value when you join our Loyalty Program: earn points when you sell, buy or trade-in.How It Works1. CC, Godards return to celluloid after a decade of video is in one sense forced: his finances were drying up, and he himself admits that the film was made as a passport back into the business. The result of a long collaboration (and tortured production history) between animator Grimault and the respected screenwriter Jacques Prvert, this animated cartoon tells of the downfall of the king and kingdom of Tachycardia. 7,664 3. Sometimes, as when Morgan contemplates the dead starfish which Gabin has given her, it feels precisely like the last European movie of the 30s. No drops facts like lead balloons, but you have to admire Nos ballsy vision and loopy execution, and the way he sucks you into this world with such a bold fusion of sound and image. This is a glorious experiment in, and exploration of, the nature of cinema. TM, There are high-school movies and then there are movies about high school. | Three gangsters and an ex-con carpenter all fall for the same beautiful golden-haired woman in Belle poque France. Embracing every level of French society, from the aristocratic hosts to a poacher-turned-servant, the film presents a hilarious yet melancholy picture of a nation riven by petty class distinctions. Arnaud Desplechins comedy about a doctoral student (Mathieu Amalric) approaching 30, plagued with self-doubt, is a hallmark of 90s French cinema. Centreing on a lavish country house party given by the Marquis de la Chesnaye and his wife (Dalio, Gregor), the film effects. Max Ophls An absurd montage, combining hundreds of clips from a dozen American movies (including Jeremiah Johnson, All the Presidents Men and Rio Bravo), this surreal film is surprisingly entertaining, mostly because writer-directors Michel Hazanavicius and Dominique Mzerette really push the idea to extremes: all dialogue has been absurdly rewritten and dubbed back into French. Artemis Tsatsaki is an Athenian living in the UK. was an enchanting style exercise a 20s period piece about a fading silent film star, done in the style of actual 20s silent picture. Jean Gabin, NB, A delightfully preposterous thriller (the McGuffin is some stolen Amazonian treasure), wittier than any of the Bond spoofs that subsequently flooded the market and a good deal racier than Raiders of the Lost Ark. A portrait of group friendship that transcends its many story lines, Vincent is typical of the French auteur cinema that, although universally admired by critics, is not always appreciated by its viewing public (for whom cinematic realism is often code for boring as hell). Sylvie, Each grotesquely larger-than-life inhabitant of the scrofulous tenement has his own little story; visually, the film evokes Gilliam, Lynch, the Coens and Carn, but the allusions never get in the way of the nightmarish humour. Divine bliss and institutional duplicity come to blunt, bright life in one of the definitive and unequaled chefs-d'oeuvre of the silent period. Her fiercest opponent is a woman, of courselike her staunchest supportersa nun played with febrile ferocity by Gladys Cooper. What we all needI too suggest seeing the movie for yourself.a Classic. Honest & Reputable Company: With over 1,500 online reviews and an A+ BBB rating, we pride ourselves on offering unparalleled customer service and honest, transparent price quotes. Let us see what each decade of the 20th century had to offer when it comes to the best of French movies. Stars: Most will be swept off their feet by Michel Legrands scintillating jazz-pop score, charismatic supporting turns from Gene Kelly, Danielle Darrieux and Michel Piccoli, and predominantly Demys own infectious joie de vivre. Its two-threaded story follows a lovelorn pizza delivery boy voiced in French by Hakim Faris and in English by Dev Patel and a disembodied hand with shades of Thing in The Addams Family as they overcome obstacles (a lack of meaning and inquisitive pigeons) in the search for something ineluctable but elusive. The final frame even includes an advertisement: Buy war bonds! Try another? Every Sale: Receive loyalty points worth 5%2. Discontented with marital life and life at large, Ferdinand (Jean-Paul Belmondo) goes on the road with the sitter, his former lover Marianne (Anna Karina), and abandons the middle-class world. Andr Berley, audacious slides from melodrama into farce, from realism into fantasy, and from comedy into tragedy. Director: It traces paunchy, middle-aged publisher and lecturer Pierre Lachenay (Jean Desailly) as he heedlessly ditches his loving wife and child so he can romp around the countryside with a coquettish air hostess (Franoise Dorlac). Nothing about the films coming-of-age narrative, nor the rise and fall of its core romance, is intrinsically new or daring, yet Kechiches freewheeling perspective on young desire is uncommon in its emotional maturity. Jean Marais, A terrific piece of writing. Best viewed on tape. Wryly and delightfully witty. Its conservative, as Truffaut views Pierres actions as immoral. Director: Franois Truffaut The film works as a one-sided love story, yet finds time to flesh out half a dozen peripheral characters, each in his or her own way as lovelorn and alone as the industrialist. Clouzots misanthropy concludes in total defeat; his naggingly over-insistent style occasionally achieves a great blackness. Of course the first half of the decade was under Nazi occupation and Vichy rule, and it's fascinating to see how this is reflected in the films of the era. In a time of intolerance, protest and fevered passions, Robin Campillos glorious, moving memoir of his time in Aids activism group Act Upin 90s Paris captures a sense of recurring zeitgeist: just swap in Extinction Rebellion to see how its story of politically engaged young people fearing for their futures still resonates. French Cinema: A Critical Filmography (1940-1958) 1. Our newsletter hand-delivers the best bits to your inbox. When movies such as Double Indemnity, Laura and Murder, My Sweet (all 1944) saw delayed release in Paris after the end of the Second World War, critics likened them to the romans noirs of 1930s crime novelists such as Raymond Chandler, James M. Cain and Dashiell Hammett. We are proud partners of Ecologi, an environmental conservation organization dedicated to restoring forests and combating climate change through tree planting. | Striking a match to keep warm, she sees things in the flame. 85 min Two drifters go on a pilgrimage from France to Santiago de Compostela in Spain. The film is all the more interesting for remaining an eccentric one-of-a-kind that feels every bit the product of its writer-directors unique sensibility and worldview. 70 min PDS. Examining the history of the concept of cinema and its relationship to time over the course of a 266-minute run time, this film took the French master more than a decade to make and isnt recommended for the casual viewer. Director: It concerns three French officers held as prisoners during the First World War by the Germans: aristocratic De Boeldieu (Pierre Fresnay), working-class Marchal (Jean Gabin) and wealthy Jew Rosenthal (Marcel Dalio). Loner street-punk Alex (Lavant) joins a gang of elderly Parisian hoods whose plan to steal a serum that will cure an Aids-like disease is complicated by the deadly rival strategies of a wealthy American woman, and by Alex falling for the young mistress of a fellow gang-member (Piccoli). Strange insights into the effects of racism and the complicity of its victims, embellished with black wit and an elegant visual sense. In the leading role, Dutronc displays a physical frailty and stooped sadness that complements Pialats beautiful, poignant images. All that was missing in her life was love, yet her romance with French boxing champion Marcel Cerdan was to be tragically short-lived. Godard's first feature, adapted from an existing scenario written by Franois Truffaut, spins a pastiche with pathos as joyrider Belmondo shoots a cop, chases friends and debts across a night-time Paris, and falls in love with a literary lady. Mr Legrand (Simon), a mild-mannered, middle-aged cashier, paints as a means of expression, of escape from his shrewdish wife and the tedium of his job. Santa Relli, Not Rated TR, One of Chabrols mid-period masterpieces, a brilliantly ambivalent scrutiny of bourgeois marriage and murder that juggles compassion and cynicism in a way that makes Hitchcock look obvious. Bressons goals were deep to sweep away the dross of expectation and viewing conventions by means of a purified cinema. BBA, French-Argentinian filmmaker No doesnt do subtlety. Another remake is The Driver, despite Walter Hills insistence that hed never seen it: someone on that movie had to have seen it. Romantic intrigues, social rivalries, and human foibles are all observed with an unblinking eye that nevertheless refuses to judge. drama is entirely aural (a play of off-screen voices blending with Carlos dAlessios utterly compulsive score), and the elegant visuals counterpoint it by creating an atmosphere of sumptuous enervation. Transferring the action from the American Deep South to French West Africa in the late 30s, Tavernier elicits a characteristically colourful performance from Noiret as the manic but outwardly easy-going. Wonderfully moving, with great performances. However, his ill health, a brief return to the debauchery of brothels and drink, and his irrational resentment of his brother Theos failure to sell his work, provoke erratic swings from brooding introspection to frustrated anger. The films frequent comedy erupts when Bernadettes humility exposes others wickedness and folly. List of French films of 1955 - Wikipedia List of French films of 1955 Cinema of France This list is incomplete; you can help by adding missing items. Perhaps strangest of all is that the protagonists girlfriend seems for most of the film to be the only young female in town, but thats a very minor criticism when compared to writer/director Dumonts tough, confident handling of mood, milieu, pace, performance and theme. Its a great yarn, with a delicious twist (dont be diabolique and ruin the end for your friends, warn the end credits), as Signoret and Clouzot dispose of their victim but must then deal with creepy signs that their plan might be coming unstuck. Les Diaboliques (1955) is the perfect psychosexual thriller, and this earlier effort is Hitchs bomb-under-the-table suspense formula burnished to an expert sheen. The tug of love between the monster and the maiden is never overplayed, but neither does the film shackle this beast he remains unpredictable and threatening throughout. It was the making and the undoing of her: the pain somehow lent her singing an even greater emotional intensity, at the price of a punishing intake of drink and pills. For me, having seen this movie many times, it is profoundly moving on a human level, and deeply inspiring on a spiritual level. | Jacques Becker This is a great movie, an austere masterpiece, with Delon as a cold, enigmatic contract killer who lives by a personal code of bushido. The quiet, delicately observed slapstick here works with far more hits than misses, although in comparison with, say, Keaton, Tatis cold detachment from his characters seems to result in a decided lack of insight into human behaviour. Much about Enter the Void is rotten. Jean Renoir A Mediterranean villa. From renowned international actors like Grard Depardieu and Jean Reno, to famous and influential directors-auteurs, like Franois Truffaut and Jean-Luc Godard, France has been a beacon of cinematic excellence. Hes experimental in some ways; in others, he has the refinement of Michael Bay. Drama. Mathieu Kassovitz impressed the cinematic world with La Haine, a graphic, disturbing, and visually fiery take on the racial and cultural instability in contemporary France, particularly the low-income projects on Pariss outskirts. Jean Cocteau, Julien Duvivier Its not the playthat moves him, but the lead actress, Clara (Alvaro). Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy. Yes, his contrast of the glorious awfulness of the Arpels automated modernistic house with Hulots disordered bohemianism is simplistic. The beauty and simplicity of the movie as connected to the Virgin Mary as "Immaculate Conception" couldn't be more direct.we must have faith before we can understand.that's What Bernadette had. Marie Cardinal, Hold on, pretty butterfly! says Clo (Corinne Marchand), a fretful and fame-occupied singer, to herself as she prepares to roam the city for two hours while awaiting a possibly momentous doctors verdict. Strong Prices: Our prices are typically much higher than what you would receive from gold buyers or pawnbrokers. Crime, Drama, Romance. Jean Renoir Need some advice?Were always here to help. Twenty-four hours in the Paris projects: an Arab boy is critically wounded in hospital, gut-shot, and a police revolver has found its way into the hands of a young Jewish skinhead, Vinz (Cassel), who vows to even the score if his pal dies. It seems dated, but on a deeper level, its part of the influential Pialats audacious, experimental attempt to intersect the too-often parallel lines of inquiry of realist and spiritual cinema imagine an unholy marriage of, say, Cassavetes and Bresson. Jean Gabin, Claude Laydu, Robert Bresson Marie Dubois, The director of Hidden and The White Ribbon offers an intimate and brave portrait of an elderly Parisian couple, Anne (Riva) and Georges (Trintignant), facing up to a sudden turning point in their lives. The film is all the more interesting for remaining an eccentric one-of-a-kind that feels every bit the product of its writer-directors unique sensibility and worldview. Death and maybe the DMT cause Oscar to revisit the events leading to his death. They converse in disjointed, inhumanly droll patter, duff up gas station attendants and eagerly concoct a new civilisation on a deserted beach. Sylvia Bataille, WH, Those whose knowledge of French Nouvelle Vaguelinchpin Franois Truffaut begins with The 400 Blows and ends with Jules and Jim should seek out this steely 1964 study in the cruel mechanics of illicit love. Jeanne Moreau, The people who know the truth are the ones least likely to be believed. Now stop imagining things and go to see Sans Soleil, in which Marker, cinemas greatest essayist, sums up a lifetimes travels, speculations and passions. He gives us Malik (Tahar Rahim), a French-Arab convict who enters a concrete-and-steel hell to serve a six-year sentence. Stars: Dont let the extended running time dissuade you: this is the rare breezy three-plus-hours that manages to explore heady concepts from the malleability of personality to the fine line separating voyeurism and participation without once feeling laboured. Sverine makes fervent protestations of love but cannot, alas, consummate; instead she succumbs to theatrically erotic reveries of being whipped by two burly coachmen, pelted with shit while wearing a diaphanous white gown, elaborately bound to a tree. Imagine getting letters from a friend in Japan, full of images, sounds and ideas. | Jumping in, however, can be difficult and ranking the greatest French films is no easy task. Unlike the final girl, she cant triumph alone; unlike the final girl, she doesnt have to. Romy Schneider is all feline elegance and sphinx-like intelligence as the girlfriend of brooding wastrel Alain Delon. Jean Renoir GA. Director:Cline SciammaA small but perfectly sized treasure, 2021sPetite Maman hadCline Sciamma changing gears after her biggest hit, Portrait of a Lady on Firethough not in the way anyone expected. Stars: 37,200 In a French provincial town, Henri Menard (Bacri) runs the old family restaurant where the clan convenes every Friday night. The fact that his childish lead (Jean-Pierre Laud, of course) is too often in a strop to concentrate on the part, or that his star (Jacqueline Bisset) is a woman on the verge of a nervous breakdown are accepted as part and parcel of the business. Jean-Luc Godard | Vittorio De Sica, This expos of a malicious small town in France must be one of the most depressed films to emerge from the period of the German Occupation: everyone speaks badly of everyone else, rumours of abortion and drug addiction are rife, and a flood of poison-pen letters raises the spiteful hysteria to epidemic level. Our heroine, Adle (Adle Exarchopoulos, astonishing), begins the film as a precocious high-schooler and ends as a grown woman still with plenty to learn about herself. Thank you, Eve and don't all the male commenters finding it 'silly' etc. Its a staggering, intensely moving reflection onold age and lifes end, which at its heart offers two performances of incredible skill and wisdom from French veterans Jean-Louis Trintignant and Emmanuelle Riva. 91 min Nathalie Pascaud, To further our commitment to the cause, for every sale or purchase, one tree is planted. Paul Frankeur, Tatis most consistently enjoyable comedy, a gentle portrait of the clumsy, well-meaning Hulot on holiday in a provincial seaside resort. Georges and Anne Laurent (Daniel Auteuil and Juliette Binoche) are a wealthy middle-class couple who are ostensibly paragons of the Parisian intelligentsia. Pierre Renoir, Not Rated Most astonishingly, Ourys expansive, multi-genre comedy (by turns witty, situational, absurdist and burlesque) refuses to take the more obvious, patriotic line, lampooning Nazis and the French Resistance alike. GL, Melvilles hombres dont talk a lot, they just move in and out of the shadows, their trenchcoats lined with guilt and their hats hiding their eyes. Drama. | Gross: Increasingly inventive as it progresses, Jeunet and Caros fast, funny feature debut entertains from sinister start to frantic finish. Dominique Sanda, But in another, this is his most personal work in years, less important for its return to narrative (the story of two women and a man joined in almost arbitrary ways) than for its chilled sense of autobiography Dutronc plays an egotistical, washed-out video film-maker called Godard. Eugene Silvain, In his angry yet compassionate denunciation of a rural society corrupting and undoing an unorthodox angel by self-interest, immorality, alcoholism and spiritual bankruptcy, the director conducts you to the heart of lifes paradox. Duris is a handsome performer who achieved success in popular comedies; here, he pulls off his parts perilous balancing act beautifully. The third of Rohmers six moral tales, and the first of his films to achieve wide recognition. A military deserter finds love and trouble (and a small dog) in a foggy, French port city. Bourgeois-scum Claude Chabrol territory, essentially, but done with a more commercial eye for showing off Schneider and Delons bronzed curves. Carl Theodor Dreyer Marcelle Hainia, Slightly pompous preamble aside, this Beauty and the Beast is pure joy, a self-conscious but never precious attempt to revisit childhood fantasies and half-remembered dreams. This cookie is set by GDPR Cookie Consent plugin. In this case it involves marshalling two extraordinary performances from child actors in a haunting story ofmothers and their offspring that touchingly explores the rituals of play and discovery. Born into poverty, she was discovered on the streets of 30s Paris, singing for her supper, precipitating a remarkable rise to fame and fortune. Yes, Hulot as champion of the individual is oddly de-personalised. His wealthy household ( See full summary, Director: Marcel Carn French Cinema During Nazi Occupation A Double Edge Sword for Development. He follows her in his car, but she soon disappears and he bumps into Vidal (Antoine Vitez), an old friend and teacher at the local university. $0.30M, 80 min With superior technical facilities and distribution resources, French cinema was a window for creativity, which at that timeoutdid the Italian industry. A Trip to the Moon is a cinematic legend in its own right. Wonderfully moving, with great performances. | Robert Bresson Against all odds, the ensemble is certain that the show must go on; those odds include their Jewish theatrical manager whos gone into hiding, a protagonist whos a member of the Resistance, and the more and more restraining Nazi supervision. Jean-Luc Godard Max Ophls Sale: Receive Loyalty points worth 5 % 2 he has the of! Are movies about high school comes to the best bits to your.... Staunchest supportersa nun played with febrile ferocity by Gladys Cooper a French-Arab convict enters! 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